Booraz Audio – IScream (Review)
Today we will be checking IScream Vol. 01, a new sample library developed by Booraz Audio. IScream features many sounds effects oriented towards horror and dark sound design projects.
Audio Brewers – The Upright (Review)
A good piano library is a must-have for any composer. Today we’ll take a look at The Upright by Audio Brewers. The Upright is a beautiful-sounding 1989 upright piano fully recorded, mixed, and delivered in both Ambisonics and stereo.
RT Sonics – Cinematic World (Review)
Today we will be checking Cinematic World, a brand new library developed by RT Sonics. Cinematic World was released just a few weeks ago and features more than 600 cinematic sound effects designed for trailers, movies, and video games. The library was created by several award-winning sound designers, whose work can be heard in many AAA productions.
Keepforest – Ferrum (Review)
Keepforest is back with a new, hard-hitting sample library: Ferrum – Modern Trailer Percussion. As the caption suggests, Ferrum is a massive percussion instrument geared towards trailer music and cinematic music production. It offers a large collection of highly processed cinematic percussion that ranges from epic trailer hits and ensemble drums to various metals, cymbals, foley percussion, and more.
Orchestral Tools – Inspire Bundle for SINE (Review)
The Inspire SINE Bundle combines the two symphonic orchestral libraries Berlin Orchestra Inspire 1 and Berlin Orchestra Inspire 2, which are designed as a comprehensive sketching tool for modern-day film composers. The samples are taken from Orchestral Tools’ flagship Berlin series and were streamlined for composers with smaller setups or mobile working environments.
Heavyocity – Damage 2 (Review)
New York-based sample library developer Heavyocity just released Damage 2, the successor to probably one of the best-selling and most widely used cinematic percussion libraries on the market. Damage 2 comes with a huge collection of freshly recorded and processed percussion goodness and seeks to up the ante with massively brutal drum sound design.
8Dio – Hybrid Tools Phenex Bundle (Review)
Phenex is the latest addition to 8Dio’s massively popular Hybrid Tools series of cinematic sound design products. In contrast to its predecessors though, this new sample library isn’t so much about spectacular sound effects like impacts, risers, drones, and the like, but focuses more on the musical, evocative side of production.
Orchestral Tools – Junkie XL Brass (Review)
In this review, we’re having a look at Orchestral Tools’ most ambitious project to date: Junkie XL Brass. Featuring a top-class collaboration and a huge 37-piece orchestral brass section recorded in one of Europe’s finest scoring stages, Junkie XL Brass seeks to set a new standard in orchestral sampling.
Mammoth Audio – Density (Review)
Today we will be checking out Density by London-based developer Mammoth Audio. Density is an extensive cinematic sample library that features over 1,500 individual one-shot sounds, playable instruments and loops.
8Dio – Eternal Darkness (Review)
With Eternal Darkness, the cinematic sampling experts at 8Dio recently released a new virtual instrument and addition to their Hybrid Tools line of products. Eternal Darkness is all about gritty horror sound design and dark, creepy textures. We had the chance to check out Eternal Darkness for you and found out what the sample library can help you with scoring your next horror or thriller blockbuster.