A working composer's journal

THE EPICOMPOSER JOURNAL

Today we’re having a look at Softube’s new guitar amp simulation plugin Amp Room, together with its first expansion, the Marshall Amp & Cabinet Collection….

October 5, 2020

New York-based sample library developer Heavyocity just released Damage 2, the successor to probably one of the best-selling and most widely used cinematic percussion libraries…

August 3, 2020

Phenex is the latest addition to 8Dio’s massively popular Hybrid Tools series of cinematic sound design products. In contrast to its predecessors though, this new…

July 29, 2020

In this review, we’re having a look at Orchestral Tools’ most ambitious project to date: Junkie XL Brass. Featuring a top-class collaboration and a huge…

June 19, 2020

In this review, we will check out another interesting online course on trailer music production, simply called The Trailer Music Course. The Trailer Music Course…

April 25, 2020

Today we will be checking out Density by London-based developer Mammoth Audio. Density is an extensive cinematic sample library that features over 1,500 individual one-shot…

April 23, 2020

Today we’re taking a look at an online course called Trailer Music Mastery, a program geared towards composers and music producers who want to learn…

March 29, 2020

Today marks a very special day for EPICOMPOSER as I’m finally able to unveil the project I’ve been secretly working on for the past 2…
With Eternal Darkness, the cinematic sampling experts at 8Dio recently released a new virtual instrument and addition to their Hybrid Tools line of products. Eternal…

February 28, 2020

Cinematic Music – From Idea To Finished Recording is Evenant’s flagship online course on composing, orchestrating, recording and mixing orchestral music using modern-day production tools….

January 1, 2020

Meteor by French audio software developer UVI is a virtual instrument designed to create dramatic risers, immersive cinematic transitions and thundering impact sound effects for…

December 23, 2019