Heavyocity – Symphonic Destruction (Review)
New York-based developer Heavyocity just released their brand-new flagship sample library Symphonic Destruction. Heavyocity seeks to push the limits of modern orchestral scoring by providing a whole new level of creativity, power, and aggression.
EastWest Hollywood Orchestra Opus Edition (Review)
Today we’re having a look at the new Hollywood Orchestra Opus Edition by EastWest. Over ten years after the release of the original Hollywood Orchestra – EastWest’s best-selling sample library ever – the new Opus Edition is a large-scale update with many technical improvements, a bunch of fresh sounds, and a brand-new sample engine.
Spitfire Audio – Albion Solstice (Review)
Today we will be reviewing Albion Solstice, the latest addition to the famous series of Spitfire Audio’s cinematic scoring tools. Released just a few weeks ago, Albion Solstice is marketed as an exploration of “the visionary artistry from modern, folk, and heritage instruments”.
ujam – Finisher Bundle (Review)
UJAM’s Finisher series is a line of unique FX plugins which combine a multitude of different effects chains and processors under the hood of a simple and straightforward user interface. Designed to make plain instrument and vocal tracks pop out without the need of adjusting complicated plugin chains, the Finisher plugins provide you with an inspiring toolbox of sound design options, ranging from cool and subtle to crazy and furious.
ProjectSAM – Colours: Adaptive Runs (Review)
Today we’re checking out ProjectSAM’s latest addition to their “Colours” product range: Adaptive Runs. Colours: Adaptive Runs offers a vast set of orchestral…
Abbey Road One – Studio One Template
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- Abbey Road One template for Studio One 5
- Designed to kickstart your orchestral composition workflow
- Fully structured, color-coded & pre-routed
- Optimized for easy stem export
- NEW: All expansions added to template
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Spitfire Audio – Abbey Road One (Review)
Abbey Road One: Orchestral Foundations is Spitfire Audio’s very first collaboration with the iconic British Abbey Road Studios. It seeks to capture the highly-praised sound that Studio One has infused countless orchestral film soundtracks with. This includes featuring the same players, instruments, microphones, and gear that was used on scores by film composer greats like John Williams, Howard Shore, or Alan Silvestri.
Heavyocity – MOSAIC TAPE (Review)
MOSAIC TAPE is Heavyocity’s latest addition to their popular series of creative cinematic composing toolkits – the MOSAIC series. For the fourth installment in their MOSAIC series, Heavyocity decided to delve into the world of analog tape by processing their sound sources with all kinds of tape-related goodness.
Audio Brewers – The Upright (Review)
A good piano library is a must-have for any composer. Today we’ll take a look at The Upright by Audio Brewers. The Upright is a beautiful-sounding 1989 upright piano fully recorded, mixed, and delivered in both Ambisonics and stereo.
Keepforest – Ferrum (Review)
Keepforest is back with a new, hard-hitting sample library: Ferrum – Modern Trailer Percussion. As the caption suggests, Ferrum is a massive percussion instrument geared towards trailer music and cinematic music production. It offers a large collection of highly processed cinematic percussion that ranges from epic trailer hits and ensemble drums to various metals, cymbals, foley percussion, and more.